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The Spanish Folk Dance Is Called A Fast And Beating Rhythm

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The Spanish Folk Dance Is Called A Fast And Beating Rhythm – Gambiong is a classical Javanese dance form originating from the Surakarta area and usually performed for performances or entertaining guests. Gambyong is not just one dance, but consists of several different dances, the most famous of which are the Paranom Gambyong dance (with several variations) and the Pangkor Gambyong dance (with several variations). Even though there are many variations of this dance, it has the same basic movement, namely the tuba/tildehk movement.

Gambyong was originally composed for one dancer, but now it is generally performed by several dancers with the addition of a stage boundary element.

The Spanish Folk Dance Is Called A Fast And Beating Rhythm

Serat Centhini, a book written during the reigns of Pakubuwana IV (1820-1788) and Pakubuwana V (1820-1823), mentions gambyong as a tlèdhèk dance. In addition, one of the dance directors during the reign of Pakubwana IX (1861-1893) named KRMT Wreksadiningrat worked on this folk dance so that it was appropriate to be performed among aristocrats or fairies.

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This refined folk dance became popular, and according to Nia Bi Mardusara, an artist who was also the concubine of Sri Mang Kongar VII (1944-1916), gambiong was usually performed in front of guests of Mang Kongar’s court at that time.

An important change occurred when in 1950 Nyi Bei Mintoraras, a dance instructor from the Mangkunegaran Palace during the reign of Mangkunegara VIII, created a standard version of gambyong known as Gambyong Pareanom. This dance was first performed at the wedding of Gusti Nurul, MN VIII’s sister, in 1951.

In general, the Gambyong dance consists of three parts, namely the beginning, the content and the end, or in terms of the Javanese-style Surakarta style dance, it is called beksan maju, beksan and backwards.

The gaze always follows or follows every movement of the hand looking at the fingers which are very dominant. Movement is the main element in dance. Dance movements that connect from one position to another can make the dance more beautiful. Dance movements basically involve head, arm and leg movements.

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Every movement displayed in the dance certainly requires energy. According to the Open Schools of Culture educational module published by the Ministry of Education and Culture, the use of energy in dance movements includes:

If the movement is performed with high intensity, the energy required is also greater. Conversely, low-intensity movements require more or less energy.

Therefore, motion can be divided into two types, namely weak motion and strong motion based on its nature. The difference in the strength or weakness of these movements is related to the speed or rhythm of the accompanying music. Its function is to create a dynamic impression so that it is interesting to enjoy the dance.

Then what is meant by strong and weak movements in dance? What’s the difference? Here’s the full explanation.

Recognizing Weak Movements And Strong Movements in Traditional Dance

According to the book “Dance Teaching” written by Kornita Yinningsih, weak movements in dance are movements performed without using muscles. Weak movements are performed with slow blows to the body.

Usually the weak movements are accompanied by soft and seductive music that depicts a sad, emotional and calm mood. Graceful dance movements are often found in Central Javanese dances, such as the Serimpi, Gulak Seri Rajaki and Badaya dances.

Examples of weak movements in dance are: raising left and right hands, lowering fists, turning heads, moving hands left and right, turning wrists, waving hands, stretching arms, and straightening and bending arms.

The powerful dance moves are performed with all the strength and enthusiasm. The powerful dance moves are characterized by fast, dynamic, and fast musical tempos to balance the movements and convey an atmosphere of passion and excitement.

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Examples of strong dance moves include: stomping of the feet and hands, clapping, tiptoeing, vigorous head shaking, jumping, and fast spinning.

There are many traditional Indonesian dances that have strong movements, for example the Jaipong dance from West Java, the Saman dance from Aceh and the Jatilan dance from East Java. Jipong dance is a type of dance originating from West Java. Jaipong dance originally developed in the Karawang and Bandung areas.

This dance is a combination of several traditional arts such as Wayang Gulak, Panchak Silat and Tep Thilo. Therefore, the Jipong dance was eventually known for its very energetic, unique and simple movements.

According to the official website of the Ministry of Education and Culture, the jipong dance was created by artists from Karawang and Bandung, namely Gugum Gumbira and H. Suanda around 1975.

Vida, a combination of traditional Cuban dance and flamenco

The two artists’ interest in folk art, one of which is tap tilo, made them familiar with the vocabulary of traditional Kaliningan/Bajidoran dance movements or tap tilo.

The initial movements, Penkogan, Nibakon, and several variations of the mind movements from some of the above arts eventually inspired Gugum and Suanda to develop the dance or art that is now known as Jipongan.

Until now, although many modern entertainments have emerged, traditional Jaipungan arts are still in demand and become interesting entertainment for the community.

Unlike other traditional dances, the jipong dance has certain characteristics, especially the Kaliran style jipong dance, namely joy, eroticism, humanism, passion, spontaneity and simplicity.

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The specialty of the Jaipong dance is reflected in the pattern of dance presentation which is partly given an example (Ibing motif) like the Jaipong art that developed in Bandung. Moreover, the accompaniment of Dagong music adds to the excitement so that many people join in dancing while watching the dance.

This Jipengan movement is the opening movement when the performance begins. The dancers usually make circular walking movements with a scarf around the dancer’s neck while playing.

This jaipungan movement has a fast tempo style accompanied by fast music and songs. This Penkungan movement is a dance movement that is full of excitement and enthusiasm to make the audience happy and enjoy this dance.

This movement is a jipong dance movement similar to a break. Movement from one point to another is carried out at a very high speed. The azla movement is a movement that adds to the uniqueness of this dance.

Regional Dances From Indonesia

This movement is a movement from one type of movement to another type of movement. When dancing, these movements are performed after movements, of course, each country has its own traditional dances. As in Indonesia, there is a Minangkabau plate dance. The dance movement with plates basically consists of placing two plates on two palms, which are then swung, followed by a quick dance movement, between the plates with a clatter or ringing of two rings on the dancer’s fingers. plates they brought. At the end of the dance, the plates brought by the dancers are usually thrown to the floor, then the dancers dance on the broken plates.

There is also the mask dance, which is a dance where the dancers wear masks. Masks have existed in the world since prehistoric times. It is often used in dances that are part of traditional ceremonies or retelling of ancient stories of ancestors. Masks are believed to be closely related to ancestral spirits which are seen as interpretations of the gods. In some tribes, masks still adorn various arts and daily activities.

Like other countries, especially in Spain, they also have traditional dances typical of their country. We’ll examine each below.

Fandango originated in the 18th century as a partner dance. You can dance or sing, usually accompanied by a guitar and musical instruments or applause. Folk dance emerged in Andalusia, Spain. The first known melodic composition used for the Fandango is “Libro de differentes cifras de guitarra” from 1705. The dance was first recorded by a Spanish priest in 1712. However, scholars of the fandango disagree on the origin of the dance. On the one hand, the most prominent theory is that it evolved from Andalusian dances such as the Malaguena or Murciana. Others say Fandango may have Moorish origins, while others believe it originated in Latin American and West Indian dances.

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Fandango dance is a dance that expresses the spirit of the dancer. The two dancers follow each other’s steps between the two dancers, with one dancer responsible for creating the rhythm and steps, while the other dancer uses rhythm and performs more complex dances. The word “Fandango” itself is synonymous with “enmity” or “view”.

The Spanish dance was performed in 1720 as part of Francisco de Liefdal’s Entremés El novio de la aldeana. This show was held in Seville, Spain. Fandango is also included in many of the composer’s classic works such as “Les Trois Mains” by JP Rameau and “Fandando Portugués” by Domenico Scarlatti. Over time, Fandango became popular among the Spanish nobility or upper class. Because this dance is so popular, many versions of the Fandango dance itself have appeared, such as the Fandango grandes which are performed in pairs and start slowly and gradually increase in speed, and there is also the Fandango grandes which are performed in pairs. much livelier and more alive.

Playing the guitar, dancing and Jaleo which refers to the singing and rhythmic sounds of palms (clapping) and pitos. In 1774, flamenco is first mentioned as entering literature, a genre which is thought to have grown out of Andalusian and Roman styles of music and dance. Flamenco music itself was first recorded in the late 18th century, but the genre expanded significantly in the late 19th century. In recent years, flamenco has become popular worldwide and is taught in many countries. There is a flamenco academy in Japan, and on November 16, 2010, UNESCO declared flamenco one of the masterpieces of the oral and intangible cultural heritage of mankind.

The word flamenco itself means ‘flamingo’, referring to the bird, but originally started with ‘flame coloured’, and can also mean ‘Flemish’, meaning someone or something associated with Flanders.

Dance News in the World Today

El Baile flamenco is known for its emotional intensity, using expressive hands and rhythmic footwork. In the 20th century, flamenco was an informal dance

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